- "A thrillingly entertaining novel from author Derek Dubois, Miss Diagnosis is a crime thriller that slowly devolves into a nightmare tale of modern science gone terribly awry."
- "The pace is strong, and the chapters move quickly, without wasting time on plotlines that don’t develop, or secondary character arcs. The dialogue is cutting, pointed, and believable as well, from the speedy repartee on rounds with patients to the emotional tension between ex-lovers."
Wednesday, June 1, 2022
New Review of Miss Diagnosis
Tuesday, April 26, 2022
Miss Diagnosis
Derek Dubois' debut novel, Miss Diagnosis, has been published and is available for purchase now through major retailers.
As a young medical student in Boston, Kate White is barely hanging on. The stress of interning at a top-tier teaching hospital, compounded by her father's recent death and her upcoming wedding to a superstar surgeon, are proving to be too much to handle. Meanwhile, somewhere deep in the depths of the hospital's research laboratory, secretive experiments have led to a horrific breakthrough. As Kate finds each new test increasingly overwhelming, she becomes obsessed with seeking a way out, crossing all professional boundaries, and putting herself and her colleagues in harm's way. In Miss Diagnosis, Dubois imbues his characters with nuance and realism which heightens the suspense when "the story takes a wild swerve in the final third that changes the straightforward crime drama into a horror story" (Kirkus Reviews).
Sunday, March 27, 2022
Boy Wizard on Studio 10
Derek Dubois sat down for an interview with NBC10's Rosie Woods on Studio10 a few weeks ago. They discussed his latest project, Boy Wizard, and his approach to filmmaking in Rhode Island.
Tuesday, December 7, 2021
Boy Wizard
- Port Blair International Film Festival - 2021
- The Fatherhood Image Film Festival - 2021
- Indie Online Film Awards (S4, 2021)
- Paris International Film Awards - Finalist - November 2021
Sunday, October 6, 2019
2019 Best American Essays
Derek Dubois's essay, Little Swimmers, has been named a notable essay of 2019 by the Best American Essays series. The work was originally published in The Evansville Review.
Tuesday, September 11, 2018
Just Do It
In a week of dizzying political drama (Kavanaugh hearings, Woodward book release, Anonymous NYT Op-Ed), the debut of a new Nike ad campaign featuring Colin Kaepernick stands out.Kaepernick, the former 49ers quarterback, emerged at the center of a firestorm for taking a knee during the National Anthem, an action that sought to highlight racial inequality and police brutality. His protests have inspired many players in the league to join him while simultaneously provoking condemnation from others, including President Trump, who has used the issue to sow further cultural divide from his bully pulpit. Those railing against this protest have often incorrectly conflated it with disrespect to the flag and American values.
Insert Nike.
Nike, #89 on the 2017 Fortune 500 list, has fashioned a new advertising campaign foregrounding Kaepernick and pushing the message, “Believe in something. Even if it means sacrificing everything.” Boycotts have ensued. However, for all of its controversial cachet, the challenges with Nike's campaign prove multi-dimensional.
First, the advert utilizes faux-inspirational sentiments doing nothing to clarify the context surrounding racial injustice and police brutality which ignited Kaepernick to take a knee in the first place. If Kaepernick’s protest was initially received by many as abstracted signification, then the Nike ad further complicates this messaging; sanitizing it and reducing it to little more than a cliché motivational poster.
Secondly, Nike is hardly the right company to launch a campaign highlighting progressive values due to their history of corporate greed: reliance on slave labor, factories which contribute significantly to climate change, a misogynistic work culture that has been called out in the #MeToo movement.
In her book, No Logo, Naomi Klein charts the shifting role of activism in the Western world over the past century, from its original focus in economic parity over to concerns with imagistic representation writing, “The abandonment of [key social protest] by the conflation of causes that came to be called political correctness successfully retrained a generation of activists in the politics of image, not action.”
Maybe through Nike’s longstanding relationship with professional sports, and the NFL in particular, this ad campaign will provide league owners with the necessary cover to rehire Kaepernick back into the NFL.
My call to action is that we all take a knee.
The current brand of politics entrenched in white nationalism and marinated in fear of the Other is severe. We cannot allow anyone's voice to be silenced and we cannot allow this symbol - which has contributed positively towards opening a cultural conversation – to be reduced to an image appropriated by mass-marketing; nothing more than a new way to sell running shoes.
Saturday, August 25, 2018
Breakneck Hill selected for 2018 Shawna Shea Film Festival
The festival will take place from October 4th through the 6th this year. When scheduling has been locked, this page will update with more specific showtimes.
Friday, June 8, 2018
Wax Museum with a Pulse: Aesthetics, Reflexivity and Intertextuality in Pulp Fiction
The essay is a detailed analysis of aesthetics, reflexivity, and intertextuality within the Vincent Vega and Marsellus Wallace's Wife segment of Quentin Tarantino's Pulp Fiction.
The essay argues that Tarantino oscillates between modes of Classical Hollywood and Art Cinema film-making with the dual-purpose of creating a world populated with psychologically complex characters as well as crystallizing his auteurist style.
Link to Film International journal HERE
Saturday, October 7, 2017
A Supernatural Spectacle: Film Style Within the Prologue of Black Swan
Derek Dubois's article for the peer-reviewed journal Supernatural Studies entitled "A Supernatural Spectacle: Film Style Within the Prologue of Black Swan" has just been published in the journal's latest issue.Article Abstract: Filmmaker Darren Aronofsky is well-known for a dynamic film style that showcases characters who self-destruct in visceral, kinetic ways. His Black Swan (2010) concerns a talented but infantilized ballet dancer whose quest for perfection in her renowned company's performance of Swan Lake leads her down a darkened path of self-mutilation. The film externalizes this threat through the introduction of supernatural elements—most specifically—through the emergence of the double. This essay argues that Aronofsky establishes his key themes and genre elements through the techniques of art cinema immediately within the film’s prologue.
You can read the article in full HERE
Link to Supernatural Studies journal HERE
Tuesday, August 1, 2017
Breakneck Hill
Derek Dubois' latest short film Breakneck Hill has just been named an Official Selection of the 2017 Oasis Short Film Festival.The film concerns David Allan Hugh is a lonely, middle-aged man on disability who loses his cat one day. The journey to find his lost pet takes an unexpected turn and changes the course of his life.
It is the shortest film Dubois has made to date, featuring a predominantly wordless performance from frequent collaborator Robert Casey, Jr and a great score from Flexotracks, LLC.
Tuesday, June 27, 2017
Imposition to Sight: Visual Technique in M. Night Shyamalan's Signs
The article, Imposition to Sight: Visual Technique in M. Night Shyamalan's Signs, analyzes the first ten minutes of the film and connects form to function by demonstrating how Shyamalan's key techniques generate implicit meaning; especially through the motif of hindered sight.
You can read the article in full here: https://journals.sfu.ca/msq/msq/index.php/msq/article/view/35/pdf
Tuesday, June 20, 2017
Derek Dubois - Feature Length Screenplay - Quarterfinalist
More about the contest:
The 15th Annual 2017 Script Pipeline Screenwriting Contest continues a long tradition of discovering up-and-coming talent and connecting them with top producers, agencies, and managers across studio and independent markets. This process has proven enormously successful, with numerous screenwriting contest alumni finding elite representation and gaining crucial introductions to otherwise impossible-to-reach industry execs.
View the ScriptPipeline site: https://scriptpipeline.com/shop/screenwriting-contest
Semi-finalists will be announced on June 26th.
Wednesday, March 22, 2017
Derek Dubois Interviewed on DoubleFeature
This week, RI PBS's show doubleFEATURE will have an interview with Derek Dubois. The show, a 60 min. weekly series, is television magazine showcase for the art of film and the artists who create them.
Friday at 8 PM - 9 PM on RI PBS.
Episode description: This week on doubleFEATURE: our short films include “Jitensha” directed by Dean Yamada, from the United States; and “Chronicles of Courage,” by director, Ernest Mills from the United Kingdom. Plus, George Marshall interviews director, Derek Dubois.
Sunday, November 20, 2016
Peer-Reviewed Publication Update
Article Abstract: M. Night Shyamalan’s film Signs regularly creates obstacles that impair – or deny – vision to both the film’s characters and to spectators. This motif functions as both a way of generating immense suspense as well as creating a more subjective spectatorial experience that conflates lack-of-sight with the inner turmoil of the film’s protagonist.
More information on Mise-en-Scene | The Journal of Film & Visual Narration as taken from their website: "Mise-en-scène: The Journal of Film & Visual Narration (MSJ) is the first of its kind: an international, peer-reviewed journal focused exclusively on the artistry of frame composition as a storytelling technique. With its open-access, open-review publishing model, MSJ strives to be a synergistic, community-building hub for discourse that begins at the level of the frame. Scholarly analysis of lighting, set design, costuming, camera angles, camera proximities, depth of field, and character placement are just some of the topics that the journal covers. While primarily concerned with discourse in and around the film frame, MSJ also includes narratological analysis at the scene and sequence level of related media (television and online) within its scope."
Please visit the journal's website HERE
Wednesday, November 9, 2016
DoubleFeature
This post will be updated with the date and time of airing once the episode has been scheduled.
Monday, October 31, 2016
Feature Length Script takes First Place Award
More information on the festival's award winners here:http://www.film-festival.org/ScreenplayWinner16.php
Tuesday, August 30, 2016
Sinners on Saturday Night Shorts
The fabulous podcast, Saturday Night Shorts, focuses on Sinners as its most recent film of the week. SNS is a podcast devoted to the craft of short filmmaking; led by two very engaged commentators who spend significant time carefully reviewing and dissecting short films. Their comments on Sinners are appropriate and inspiring. Both hosts lauded the film's sound-design and compositional choices. They also highlight key areas of opportunity in relation to unnecessary insert shots and some disagreements with character motivation. All in all, the conversation is stimulating and insightful.
In fact, the podcast led Derek to revisit the film for the first time in two years. Looking at what had been the final edit with fresh eyes, a new director's cut has emerged which shaves a full minute off of running time!
Tuesday, March 22, 2016
Derek Dubois to be Featured in Peer-Reviewed Film Journal
http://www.intellectbooks.co.uk/journals/view-Journal,id=191/
Derek's essay, entitled "Cruel Summer: Decoding Subtext through Shot Design in The Beach" argues that filmmaker Dorthe Scheffmann's filmic style, specifically shot design via mise-en-scene and cinematography, adds additional layers of meaning to the story of two intimate friends in a startling dramatic conflict.
Watch for publication this fall. In the meantime, enjoy an excerpt from Sheffmann's short film which served as the basis for Dubois' analysis.
Derek Dubois to be guest for Rhode Island College Film Students
The class, featuring upper-level film undergraduates, screened three of Derek's films: Fallout (2012), Lucid (2013), and Sinners (2014) before venturing into a lively discussion on a range of topics from low-budget film-making to feminist film theory.
This was an exciting opportunity to highlight the works of this local filmmaker while also allowing for a sharing of advice on DIY methodologies.
Sunday, March 8, 2015
Essay in Short Film Studies

Intellect Ltd. are esteemed publishers of many peer-reviewed academic journals. Derek Dubois is proud to announce that his essay The Perfect Human: An avant-garde rebellion against Classical Hollywood style appears in the latest issue of their journal Short Film Studies (volume 5, issue 2).
Abstract: This article seeks to position Jørgen Leth’s The Perfect Human as an avant-garde challenge to Classical Hollywood film style as well as mine the film’s abstract appeal in its invention of new methodologies to generate meaning.
To purchase your copy of this issue, please visit: http://www.intellectbooks.co.uk/journals/view-Article,id=19273/











